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One can't miss the original label on the inside
back of this instrument for it measures approximately 20cm x 8xm
in size. On the label the printing states ‘Wilhelm Durrschmidt,
Gigen und Lautenmacher, Markneukirchen /Sa. anno 1929'. The
initials DW are hand written in ink towards the left hand side and
there is a decorative border.
According to the volume on German and Austrian Violin
Makers by Karel Jalovec (pub 1967) Wilhelm August Durrschmidt
was born on 11-03-1863 and died on the 17-10-1937. In 1887 Durrschmidt
founded a workshop in Markneukirchen from which he made stringed
instruments, lutes and parts of instruments for assembly. He was
also a supplier of wood and tools for violin making.
On page 59 Jalovec writes ‘Though individual
parts of his instruments were roughly done by others - as
was the custom in Markneukirchen - he is nevertheless one
of the more skilful Markneukirchen makers'. Indeed this smallish,
viol shaped instrument with a rounded or “swell” back
is well made from materials of a good quality. The table shows spruce
of a good even grain while the back and ribs show maple with a faint
but attractive figure. The varnish is in excellent condition and
is of a golden-brown colour over a yellow ground. There are outside
linings which add strength and robustness to the instrument and
the peg-box is fitted with the original brass half-plates.
Although there are few signs of damage evident to
the outside of this instrument, a certain amount of corrective work
and improvements to the inside of the instrument have been necessary
to enable the Contrabass Shoppe to present it in the A1 condition
that you now find it. The work includes half-edging and the
replacement of the edges to the majority of the table. A patch has
been fitted to the sound post area, there has been fairly extensive
re-thicknessing work to reduce an overly thick and inflexible table
and the bass bar has seen some re-profiling work done to it. In
addition the neck has been re-set to the correct angle and one bottom
rib has been shortened very slightly. Cleaning work has been performed
followed by varnish work to touch in the areas where necessary.
A new top nut has been fitted, the fingerboard has been “shot”
and a post and bridge have been fitted. Phew! Quite a lot
of work in fact for something that on outside appearances didn't
look as though it needed anything doing to it. And so how much exactly
did that amount of work cost? Tony Houska explains the philosophy
behind the Contrabass Shoppe. "Although the work set me back
UK£2,600 at least I can assure any prospective customer that
this instrument is in excellent structural condition - which
is the way all our instruments are presented and the way I believe
a customer should be entitled to find them. As for sound quality
on the Durrschmidt, I am happy to tell you that it is also
in excellent shape".
Besides the impressive label, the inside back bears
a rather flamboyant pencil inscription from a previous restorer
stating ‘Repaired Dresden' and followed by an undecipherable
signature.
To summarise the above then, this is a nicely presented
instrument in excellent structural condition.
The nicely sloped shoulders, the easy production
of a complete range of volumes and the incredibly small string
length (only 40.75in) make this instrument an absolute pleasure
to play. Who said that double stopping in thirds and fourths on
the double bass was difficult?
Width at the upper bout 19.5in (49.7cm)
Width at the centre bout 14.5in (36.7cm)
Width at the lower bout 26in (66.0cm)
LOB 42.3 (107.5cm) St length 40.75 (103.5cm)
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