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In a word I'd describe this Hawkes as an imposing
instrument. With it's violin outline, full swell back and outer
linings - the model is grand and impressive.
Yes it certainly does. The spruce used for the table shows a nice
even straight grain. The maple wood used for the back and ribs
is very well flamed and one can even see the grain lines running
downwards.
Simply huge - on top of which there are lush-dark tonal qualities.
That's great. You'll absolutely love this instrument.
We'd describe it as being in pretty exceptional condition. On the
table there are only four minor cracks that run up from the lower
edge of the table. Amongst the six ribs – there is only one
small crack in the bottom treble side rib. That's it – apart
from these now well-restored cracks – the instrument is mint.
Yes it is and what's more the quality and texture of the spirit-based
varnish is really glorious. The colour is chestnut brown over a
yellow ground and there is an ever-so-slight craquelleur to the
surface of the varnish, which is truly fabulous.
Yes - internally the instrument sports a new bass bar of the correct
length and depth while externally there is a set-up par-excellence.
Yes. It bears it's origional label which states: The Concert Bass,
(Registered), No1 1938 – Boosey & Hawkes Ltd, 295 Regent
Street, London W1. A second label gives the number 634 in large
figures.
Yes - the instruments manufactured by Hawkes & Son during the
latter quarter of the nineteenth century and the first half of
the twentieth century were often supplied to the many army and
military bands that existed especially in England. There were three
grades of instruments - namely Professor, Concert and Panormo -
that were based on the unsurpassable form of Vincenzo Panormo's
instruments.
All the models are characterized by their violin outline, deep
ribs and generous proportions which are by no means too large to
play easily. The Professor was a flat back model with an upper
angle break and often outside linings - while the Concert and Panormo
were produced with full swell backs.
To meet the demand for these robust and well-constructed instruments
a great majority were imported from Germany and France - the Concert
and Panormo models being superior in their choice of timber, workmanship
and finish than those of the Professor. In 1924 the four string
Professor instruments were being advertised at £22, the four
string Concert at £26 and the four string Panormo model was £36.
For the three string versions of these same models prices were £20, £24
and £32 respectively. The advert aptly proving that in England
there was still some demand for the three stringed instruments
even at this late date.
It is a well-known fact that the majority of Hawkes double basses
had a very hard life - so to find this particular example in a
near mint state - is quite remarkable indeed. With its massive
sound and full-tone this really is an attractive option for an
upwardly mobile, budget-conscious orchestral professional. Fitted
with a set of Thomastic Spirocore meds or softs - it really does
produce the kind of juicy-groove sounds that you jazz guys & chicks
are all after. In terms of investment potential – this fashionable
piece of bass making history is sure to provide excellent dividends.
LOB (length of back) - 111.5cm (43.80in)
Width across upper bouts - 56.9cm (22.40in)
Width across middle bouts - 40.6cm (15.95in)
Width across lower bouts - 68.2cm (26.85in)
Depth of lower ribs inc both plates- 23.2cm (9.16in)
Body Stop - 60.7cm (23.85in)
String length - 105.8cm (41.65in)
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