Nicolo Bergonzi Copy - jazz bass circa 2007 - #2758 |
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What a gorgeous looking instrument. Yes it certainly is a stunner. The highly flamed wood that has been used for the back, matching ribs, neck and scroll is of such high value in its cut and seasoned form that it is usually only reserved for violins or cellos. It's a pretty special instrument then? Yes - the maker of this elegant four-string instrument - which is modelled on the 1780 Nicola Bergonzi (1754-1832) instrument - that is featured in the book Contrabassi Cremonesi by Duane Rosengard (Published by Editrice Turris, Cremona 1992. ISBN 88-7929-073-8) really has pulled out all the stops to create something that stands right out from the crowd. Where does the instrument originate? The instrument emanates from Hungary. Unfortunately we don't know the makers name. All that we are able to tell you is that Hungary is one of those European countries with a long and fine tradition of violin making. I'm a jazz player and I see that the instrument is pictured here with a Realist pickup fitted. Yes that's right - we've set this the instrument up with a Realist pickup because we know that the it will be of particular interest to all you jazz guys and chicks. If you'd like to know a bit more about The Realist Bass Transducer please click here. How So? Well - the thicknesses of the front and the slightly higher table arch mean that although the acoustic sound of the instrument is not enormous it is well balanced and incredibly clear. Most importantly - it is free of the huge lower frequencies - that are the cause of most amplification problems. Just how does it sound then? We would have to say that the quality of sound - when amplified - is simply amazing. It is clean, clear, crisp and even with a nice timbre and there is no bleed, scream or feedback. This is because the instrument allows the amp to do the job for which it is intended - namely amplifying the sound. If you don't believe us come on over and have a blast on it. We've got a Schertler "Unico" amp all ready and waiting. Is the instrument easy to get around? Yes indeed. The instrument has a string length of only 104.7cm which means - if you have small hands or do extension fingering - that the whole instrument is incredibly easy to both play and get around. In addition we've given the neck a nice slim feel and fitted the top quality Chevalets Despiau bridge up with aluminium adjusters. In an instant - you'll be able to vary the height of your strings to suit your various playing styles or demands. Is there anything else to tempt me with this instrument? You'll just fall in love with the German made machine-heads that are simply the best in both looks and smoothness of operation. You'll also fall in love with the handmade brass endpin unit which is both smooth and silent in operation and which provides you with 100% peace of mind. Final Summary: This really is a handsome looking instrument and the proportions are just so, so nice. When you take it out with you on a gig - the high flaming in the wood and the skilfully "aged" warm orange-red spirit varnish over a yellow ground are bound to be a talking point amongst colleagues, friends and we suspect with some of the ladies! As for the amplified sound qualities of this instrument we think that you'll be hard pressed to find anything anywhere near as good as this. Offer to come and try: As mentioned previously you definitely must come over and try out this bass. We're quite sure that you'll be much more than impressed. Stats: LOB (length of back) - 111.3cm (4.80in) Price: £12 000-00 - Convert price with XE.com Personal Currency Assistant |
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| Front View | Back View |
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| Quarter View | Scroll View |
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