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The Realist Wood consists of a wood veneer casing.
Inside the casing is a piezo crystal sandwiched within a copper
foil. A lightweight coaxial cable connects the element to a standard
6.0mm jack socket.
Fitting The Realist Wood is done exactly the same
way as fitting the standard Realist. It is relatively easy and
should take only a few minutes to get up and running. In brief
the wood veneer containing the element is slid under the bass (E-string
side) foot of the bridge. The jack socket is fitted under the G
string ball end and is held in place by means of a small clip.
That's all there is to it.
The side with the smooth surface is placed onto the top of the
instrument table.
Yes - that is correct.
Yes.
Yes - nobody wants to cause damage to their instrument if it can
be avoided at all. The smooth wood casing of The Realist Wood -
really is the perfect medium for constructing a table top transducer.
Yes indeed. The wood casing is a much more aesthetically pleasing
than the standard copper foil casing. When fitted it blends in
most discreetly.
Yes indeed. The casing is made from two pieces of wood veneer bonded
together to form a laminate.
In order to maximize the strength ratio the veneer grains have
been placed at 90º to each other.
The laminate has just the right amount of flex and
give to allow it to conform perfectly to the shape of the instrument
table.
The black square that is visible on the top surface
of the wood casing is the top of the copper element casing.
The element casing is coated in a black silicon
type material that helps cushion and protect the element.
No - not at all. When the element is positioned
under the leg of the bridge and the strings brought back up to
pitch - the silicon coating becomes compressed and the surface
level.
Yes - The Realist Wood is designed to fit under
any acoustic bass bridge. To maximize performance it is essential
that the feet of the bridge have been cut properly by a competent
luthier so as to conform to the exact contour of the instrument
table.
After The Realist Wood has been installed most players
are unable to detect any difference. If you do feel that the height
of your strings is a little higher - the recommendation is to wait
a few days before adjusting your bridge. This is because The Realist
Wood compresses during the first few hours following the installation.
After it has finished settling down - it really is too thin to
detect.
With The Realist fitted you can really "dig-in" to your
playing. Dynamics are relatively easy to produce and when "attack" is
required - say for funk and slap playing - the pickup copes incredibly
well. For those of you wanting a pickup for ballads and other softer
styles of playing - the pickup also sounds great.
Ahh - I thought you might get round to that question.
Well you'll be pleased to hear that from the reviews received -
the general consensus of opinion is that they really are as good
as each other.
The Realist Wood does come with clear
and easy to understand installation instructions.
Here is a summary;
1) Fit Jack: To fit the jack - remove the G string
from the instrument and thread the coloured winding end through
the holes of the looped plastic jack "tie-down" - starting
with the hole on the looped side.
Next thread the G-string back through the tailpiece in the normal
way and continue with the string installation. With the string
still below pitch - slide the jack through the loop so that it
locks into place. The jack's socket should point down towards the
end-pin.
2) Fit Element: To fit the element - you need to slightly lift
up the bass side foot by reducing the tension on the bridge.
First you need to lay your instrument with its back on the floor.
Next loosen the two bottom strings (E&A) and slide them away from
the top of the bridge. Reduce the tension on the two top strings
(G&D) sufficiently to allow the bass side foot to be raised
slightly with one hand. With the other hand place the element centrally
under the bass foot with the wire extending from the lower inside
corner. Place the E&A strings back into their respective
bridge notches and bring all four strings back up to tension.
That's it - job done.
The Realist Wood is what is known as a "high-impedance transducer" so
it is not necessary to use a preamp although some players may well
opt to use one. The Realist Wood simply amplifies the acoustic
sound of your instrument without colouring it.
The Realist is rated at 10mg ohms.
Using a preamp can make up for shortcoming in your
in your instrument's acoustic sound. It can be used to boost the
highs or lows or fill in the mid range if it is not present enough.
No none at all. Most recording engineers absolutely
love The Realist transducer for its superior acoustic fidelity
and its elegant simplicity.
The Realist acoustic transducer was designed by
Ned Steinberger in collaboration with New York bass specialist
David Gage. On the product info pages of his web site Gage comments "Recognizing
the limitations of microphones and traditional piezo transducers,
Ned and I decided that for the working musician things could
and should be better. We felt a transducer should be equal in
its ability to recreate an acoustic pizzicato and arco sound
through commonly used amplifiers. Furthermore, this pick-up had
to be simple, dependable and affordable. After years of consideration
and tests, we have come up with a system that achieves all of
these goals. We understand the hours of practice it takes to
draw your sound out of your instrument, and with this pick up
we feel that your voice can be heard more accurately through
an amplifier. Both recording engineers and professional musicians
have been startled by the great tone and even response when playing
pizzicato and arco without having to play with your controls."
On the Gage web site Ned talks about the extensive
testing and evaluation done during the development of The Realist
and his appreciation towards both Gage and the many fine players
that assisted in the evaluations. The most interesting part is
when he gets down to the nitty-gritty of what makes The Realist
and The Realist Wood work so well. Steinberger comments "Three
elements combine to give The Realist the exciting tone that has
so many players raving. The first is finding the right structure
within the piezo crystal to respond optimally to the acoustic
resonance of the instrument itself".... "Second, placing
the transducer under the foot of the bridge puts it exactly where
the sound is transferred from the strings to the sound board.
This is definitely where the action is, and the rich, powerful
response, both pizzicato and bowed, testifies to this simple
fact. The output level directly from the pickup is unusually
high, and as a result the signal to noise ratio is also very
high - so no pre-amp or other battery powered gear is necessary.
Just plug it in! The copper foil sandwich construction (For The
Realist Wood - that is housed within the wood veneer casing)
- is the third key element in the system. It provides total shielding
to eliminate hum from light fixtures and other electrical or
radio interference. It is flexible enough to conform to the curve
of the top of the instrument, so that the full pressure of the
bridge is concentrated evenly onto the piezo surface".
Yes - David Gage regularly advertised in The Double
Bassist magazine:
In issues No 31 (Winter 2004) and No 34 (Autumn
2005) there is a half page add with pictures of bassists McBride,
Mraz and Washington standing together that runs 'Three Masters. Three Styles.
One Pick-up. Bassists Christian McBride, George Mraz and Peter
Wahington all agree: "The Realist is acoustically
true, easy to install and always delivers - whatever the venue,
whatever the style. Put simply, it is the best sounding pick-up
on the market, period."
In The Double Bassist issues No 42 (Autumn 2007) and No 43 (Winter
2007) there is a quarter page advertisement showing The Realist
fitted to an instrument with an endorsement from John Patitucci
that reads; "The most natural sounding pick-up
I've ever heard".
Yes - there is a one year warranty from the date
of purchase on parts and labour. A requirement of the warranty
is that the purchase is registered with the David Gage String Instrument
Repair shop. All that involves is filling out a short form that
has been partially completed by the Contrabass Shoppe and posting
it off.
Yes. In brief - the warranty covers failure due
to defects in material or workmanship which occur during normal
consumer use and does not cover damage which occurs in shipment
or failures which result from alteration, accident, misuse, abuses,
neglect or improper maintenance.
The Realist is considered by many of the world's
top Jazz players to be "the double bass pick-up".
The reason for this "universal appeal" is because it
just works so well with a wide range of acoustic basses and produces
a good range of sound for both arco and pizz playing. Additionally
- the pick-up has a high feedback threshold, it is relatively easy
to set up and the price for this awesome amount of flexibility
and adaptability is incredibly reasonable.
The Realist Wood offers all the great sound characteristics
and advantages of the standard copper-foil Realist. For those players
alternating regularly between unamplified and amplified music on
the same instrument or for those players simply worried about instrument
aesthetics - the über-discreet qualities of The Realist Wood
are a strong draw to purchase. For the vast majority of players
however - the sheer relief of having a table transducer with the
accolade that it won't cause damage to varnish or cause marks or
bruising to ones pride and joy will be incentive enough to purchase
this fine product.
Type: Single table top acoustic transducer
Technology: Wood veneer encasing Piezo crystal sandwiched in
copper foil
Transducer mounting: Under bridge (bass side) foot
Impedance: 10mg Ω
Jack type: 6mm - gold plated
Jack housing: Black nylon
Jack mounting: Clip held by ball end of G-string
Boxed dimensions: 19.5 x 16.7 x 3.5cm (average)
Gross weight: 144.0gm (average)
Manufacturer: David Gage String Instrument Repair Inc, 36 Walker
Street, New York 10013, USA
Dimensions of wood housing: 51.0 x 25.4 x 1.45mm (average)
Dimensions of visible transducer (pre-compressed): 21.3 x 20.4
x 2.18mm (average)
Length of coaxial cable to jack: 26.6cm (average)
Dimensions of 6mm jack: 86.5 x 16.9 x 16.9mm (average)
Weight of transducer, jack socket and one retaining clip: 36.0gms
(average)
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